Sunday 16 February 2014

Exercise 20 - Busy Traffic

 What: The main brief of this exercise was to photograph from a viewpoint to show a busy location
Where: Elephant Tearoom, Indoors and Old College Warrior Exhibition, Outdors
When: Mid afternoon and late evening.
How: I chose two locations as I wanted to get the experience of trying to assess the different flows of people within their surroundings.

Elephant TeaRoom

I chose Elephant tearoom as it is a constantly busy location; the tearoom itself was one of the locations that the author of the Harry Potter books sat and wrote and now the tearoom has become a Mecca for visitors and Harry Potter enthusiasts. It is almost always busy and getting a table can sometime take a while.
It is now a crowded location as they have chosen to add extra tables to allow for the increase in the number of customers and being a tourist location is a noisy jammed location.

I chose to reduce the image to a monochrome as it fitted with the room itself which is trying to maintain an air of “old school” Edinburgh without trying to become a solely tourist location.

DSC_0007-Busy B and W 2
Nikon D80, Aperture Mode Manual, focal length 18mm (35mm equivalent 27mm), aperture f9.5, speed 1/60 second, ISO 3200, Shade white balance, Spot metering, Camera sitting on the table, 18-70mm lens,


I tried to capture the noise of the tearoom as people from all over the world discuss the location and examine maps and books to decide where they will go next after eating.

Warrior Lantern Exhibition

I had read online that some of the terracotta warrior lanterns would be transported to Edinburgh and displayed in Edinburgh Universities Old College Quad for this years Chinese New Year. I was excited to see these as these lanterns had originally been designed and exhibited at the Beijing Olympics.

On arrival I was astounded by the number of visitors; I had expected a few dozen people to turn up since it was raining instead there were several hundred people there all who had turned up to see, touch and be photographed with the lanterns.

I quickly noticed that people either stood at the entrance and photographed the grouped horse and family, or they walked between the regimented figures first down the rows and then back across the rows. Children ran from figure to figure at random while some photographers stood to the sides and only photographed the outer figures. There was quite a Brownian motion as groups tried not to appear in one another’s photos.

I watched for a while from an upper location as the lights first started to dim and the first sets of visitors walked around the quad

SUNP0005
Bozart Ampel, Aperture Mode Fixed, Exposure Mode Auto focal length 9.3mm (35mm equivalent 9.3mm), aperture f2.8, speed 1/30 second, ISO 100, Vibrant white balance, Matrix metering, Tripod Mounted camera, 9.3mm fixed lens,



I really wanted to capture the size of the exhibition and show the vibrant colours of the lantern warriors but also experiment with showing the visitors as an accent to the final image. I chose to use a Bozart Ampel camera which has a fixed 9.3mm tilt shift lens. This allowed me to capture the colours and also accent the people at the same time.

After the sun had set, the rain became heavier but this did nothing to discourage the visitors, as they filed up and down the rows photographing faces and lanterns.

I moved position in closer, but still from a vantage point above the ground level of the quad.

DSC_0030(2)
Nikon D80, Aperture Mode Manual, focal length 75mm (35mm equivalent 112mm), aperture f4.8, speed 1/20 second, ISO 100, Shade white balance, Spot metering, Tripod Mounted Camera, 70-300mm lens,



I wanted to shoot from a distance away and using low ISO and slow shutter speed to obtain a slight motion blur without over exposing the lantern warriors.

Again here I tried to capture the stop and go movement of people as they moved around the exhibition, some stopping to photograph while companions moved on to look at the next piece.

I then moved down to ground level to get a few shots of the people at the edges of the exhibition as they worked away capturing their own images.

DSC_0098
Nikon D80, Aperture Mode Manual, focal length 50mm (35mm equivalent 75mm), aperture f2.4, speed 1/125 second, ISO 800, Shade white balance, Matrix metering mode, Tripod Mounted Camera, 50mm lens,



At this point the light was really beginning to disappear and I swapped to a 50mm prime lens to allow the most amount of light that I could get from the chosen aperture and shutter speed as I did not want to blur the images too much. I gain wanted to show the groupings and the positions of people as they examined the lanterns.

DSC_0100
Nikon D80, Aperture Mode Manual, focal length 50mm (35mm equivalent 75mm), aperture f2.4, speed 1/125 second, ISO 800, Flash white balance, Matrix metering mode, Tripod Mounted Camera, 50mm lens,

A

As the rain eased I took a final image of a new set of visitors as they started into the body of the exhibition, some of them were as cold and wet as I was and I just wanted to capture the interest that they still showed.

I believe that these images convey how busy both the tearoom and the exhibition were; both locations were filled with people and while these people did not rush about much they were present both in noise and in physical presence. The differences between the people who moved from piece to piece and those who chose to stop and examine the pieces shows that both sets of individuals were both personally busy with their own thoughts and perceptions and that they were physically present at a place and time making the surrounding space busy.

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